Stephen Lawrence was a black London teenager murdered by white racists in 1993. His parents fought to have the crime properly investigated, culminating in a judicial enquiry into the event itself and also the inadequacies of the ensuing investigation by the London Metropolitan Police.

The film begins in a BBC studio with the 100th edition of "In Town Tonight". Flotsam and Jetsom open with a "topical number". Then there is an interview with a distinguished actor, which dissolves into a performance of one of his famous melodramas about a wicked moneylender etc.

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When art gallery assistant Kate Miller meets the heir to a run-down estate, she stumbles upon a previously undiscovered masterpiece, and finds herself thrust into the high-stakes auction world of priceless art. But those high-stakes turn deadly when the painting's integrity and authenticity come into question. Kate and the gallery soon discover they're caught in the middle of a million-dollar conspiracy. As the auction date closes in Kate finds herself in mortal danger when a desperate stalker will stop at nothing to keep the truth from coming to light.

A sex addicted stripper tries to start a clean life in a new city with a law student, but her lust for man turns criminal.

Together with her neighbor, a woman accused of murder tries to prove her innocence.

Much-married and once successful writer Henry T. Aythecliff, now heavily in debt, summons his three ex-wives to his mansion, planning to extort a sizable amount of money from each. When he is discovered dead, clues indicate that each of his four wives had motive and opportunity to murder him, and a young detective must sift through some ingeniously devised evidence.

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A young couple check into a hotel, only to find it a seething, writhing hotbed of horrific surrealism. They're dealt with shabbily, put through a series of bizarre polymorphic straits, as the host regales them with the story of his nightmarish encounter with the Ghost of Stephen Foster.

Steve Arrington's hopes and dreams were lost in a nightmare of bad decisions, bad company, and bad moves. He went from hero to villain, lost his honor and self respect, and found himself trapped in the no-win world of drug smugglers and big-time losers. He had to choose between silver and lead - dirty money or a bullet in the head. The first glimmer of hope came when drug agents cut short his out law career. A scapegoat for his high-rolling superiors in the cocaine racket, Arrington found the locked doors of a federal prison offered him a chance to find his way Out of the Night. His discovery of forgiveness helped him recover his self esteem and led him to fulfillment of his dreams. Out of the Night proves that there is hope for the fallen and escape for the trapped. You'll be inspired with new reasons to believe in God's forgiving love and patient leading